![]() ![]() In WTC2 I love most of the fugues, but not all preludes. This is corny, but the 48 are really a treasury of music, and I'm relatively a beginner at them myself. WTCII C minor p&f, WTCII Emaj as well, but I'm running out of energy to explain why. Supposedly one of Beethoven's favorites, if that matters. The A major set from WTCI is fascinating as well. And the fugue, on the modern piano, produces incomparable textures in thirds and sixths that I find captivating, almost in a mechanical, machine-like fashion. The prélude is still just fun to play at full speed. Busoni (I think) had a neat idea of doing those odd scalar runs (with their odd roiling shapes) in thirds, but I haven't mastered that variation. ![]() They're just devilish little pieces full of a kind of impish humor.Īlso usually considered one of the easier sets, from WTCI, the Bb (both p&f) is exciting to me. As well as the prélude from the WTCI Am (the fugue from that same is, of course, a bit more than that). ![]() The WTCI E minor fugue, although brief and simple, with only two voices, I think is hilarious, in a dark, bewitching sort of way.Īnd, with a similarly chromatic idea, the Am from WTCII I find amusing. There are odd fugues that are not especially difficult but that I find delightful, almost in a perverse way. Well, the WTCI E major fugue is not very strange, but even though it's considered one of the less demanding fugues (there are a few places where it's tricky to make the subject come out), I find it exuberant and clever. The WTCI Eb major is certainly one that gets under one's ear, as mentioned above.Īs it is, I personally favor some of the simpler ones that are, however, a bit strange. ![]()
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